Poetry-based performance as a method of Lesia Ukrainka’s heritage actualization

The object of study is poetry-based performance as a productive method poetry actualization, which allows creating wide range individual interpretations the same poem through personal experience performer. A where media (written and/or spoken words) are dominant. pretext for performances optional text can be created during ex nihilo. All have pretexts that used starting points performances. However, use itself not an obligation. research problem comprehension common between and performance. purpose article to analyse actualization Lesia Ukrainka’s modern Intertextual intermedia methods were achieve goal. As result analysis, following conclusions made. Two contemporary by Ukrainian artists, discussed in (poetry-based No name (2014) Yaryna Shumska videoperformance Contra Spem Spero! (2020) Kseniia Kysylychyn), (poem spem spero! Ukrainka) but create different fields meaning. These only underline notability importance also emphasize certain lines images it most relevant time (and performer), valuable ones, ones artists (physically) live gain from). link does vanish even if, at first glance, may seem blurred. That gives audience chance make unexpected associations both pretext, broaden borders text, look from angle. Poetry-based held on stage public place, gallery one’s home. aims new artwork, reconsider literary heritage previous generation poets with media. They do repeat rather change way adequate (new) times.